It was the year of Star Wars and The Sex Pistols—two pop culture phenonema that couldn’t be further apart which but had a lasting impact on film and music. It was a year that encapsulated escaping from things past and launching boldly into whatever was going to come next. Even NASA was playing the game, launching various test flights of its new, future-facing space shuttle. It was the year of the Queen’s silver jubilee and the UK went crazy for it; I remember street parties and celebrations. I remember my Mum dressing me up as a cavalier (cool costume!) and we went to Windsor for what I assume was the lighting of the bonfire at Snow Hill on June 6. It was also the year that I started going to see movies at the cinema.
And what was Hollywood up to …?
- Star Wars: Episode IV – A New Hope
- Close Encounters of the Third Kind
- The French Connection
- Saturday Night Fever
- The Spy Who Loved Me
- Swedish Nympho Slaves
- Slap Shot
- Eraserhead
- Looking For Mr Goodbar
- Smokey and the Bandit
- A Bridge Too Far
- Star Wars: Episode IV – A New Hope
- Smokey and the Bandit
- Close Encounters of the Third Kind
- Saturday Night Fever
- A Bridge Too Far
- The Deep
- The Spy Who Loved Me
- Oh, God!
- Annie Hall
- Semi-Tough
This marks the first year that I can finally access global box office stats. As such I won’t be using the North America box office top ten any more. While I expect the majority of the films that appear in the top ten will still be US-produced, I’m far more comfortable having a list that comes a little closer to reflecting what people around the world were paying to see at their local cinemas. However, there is also something a bit wrong in the IMDB top ten … which will be made plain if you inspect the number six entry up there. Given the ‘best films of the year’ is always going to be highly subjective, I think the IMDB list is as useful a barometer as any even if there’s something a bit skewiff with its algorithm. Either way, using both list allows me to see how the most popular contemporary films of the year relate to the most popular retrospective films of the same year.